A late-year visual piece built from motion, atmosphere, and small fragments of place.
Monash Music (Honours) graduate working between sound, moving image, and AI.
Sound Visible
↗我做 DJ，也做音乐和影像。声音先出现。画面跟着它移动。技术只是让想象更接近现实。
01
Creative identity
One practice. Many forms.
对我来说，音乐、剪辑、摄影和 AI 影像不是四件分开的事。它们都来自同一个问题：一个情绪，怎样变成可以被听见、看见、记住的东西？
有时答案是一段 DJ set。有时是一张黄昏里的照片。有时是一条被反复剪到刚好停住的视频。
02
Selected works
Fragments from the same world.
03
DJ & performance
The room decides what the night becomes.
I like sets that breathe. Something direct enough for the floor, but with space for memory, tension, and small unexpected turns.
04
Music production
Sound is the first image.
I build tracks, edits, and textures from feeling first. A bassline can be architecture. A vocal chop can be a cut of light. A pause can say more than another layer.
Listen on Spotify Listen on SoundCloud
05
Video & interviews
Images with a pulse.
Video gives the music somewhere to go. These pieces hold performance, conversation, and the small details around the work.
A short preview cut with performance energy and instrument texture.
A selected video from the Bronx Wang channel.
An interview, placed here as part of the artist archive.
A compressed preview from the three-hour DJ set archive. The full master is kept outside the website because the original file is 79GB.
06
AI video creation
Technology should feel touched.
I use AI as a sketchbook for motion, not as a shortcut around taste. The best results still need timing, restraint, editing, and a reason to exist.
07
Photography
Still frames from moving days.
01 / Portrait
A quiet portrait in hard light.
A closer frame of the person behind the sound.
02 / Moving still
Photography that starts to move.
A visual fragment placed between documentation and performance.
03 / Portrait
Soft figure, open sky.
A portrait held between focus and disappearance.
04 / Dusk
The frame before leaving.
Light, skyline, and a body becoming shadow.
05 / Skyline
A city held at golden hour.
The quiet distance between weather and architecture.
Creative philosophy
I am interested in the moment before things become obvious.
The unfinished feeling. The second before the drop. The frame where the subject is almost gone. That is usually where the work starts to feel alive.
Contact
Let the next piece begin quietly.
For DJ sets, music production, video editing, AI moving image work, photography, or a conversation about a project.